No clear offer
A beautiful image with a slogan, and the viewer still doesn't know what you sell, for how much, or why now.
Ads and visibility: customers who are looking for your service now or don’t know about it yet.
01 Google AdsEnquiries from people searching for your service right nowfrom $750/mo 02 Social media adsMeta, TikTok, LinkedIn: customers who are not searching yetfrom $700/mo 03 SEOHigher in Google and Maps without paying per clickfrom $1,000/mo 04 Visibility in ChatGPT and AIYour business in AI assistant answerspart of SEO 05 Amazon and marketplacesSell where customers already buywith a partnerThe place where a visit turns into an enquiry, and a system that doesn’t lose that enquiry.
01 Web designA website that turns visits into enquirieslanding from $1,300 02 Online storesCart, payments and shipping, ready for adsfrom $4,800 03 CRMNo enquiry gets lost in a phonesetup $3,400 04 Chatbots and AIThey answer customers, at night too$2,500 05 Email and SMSCustomers come back instead of forgetting youquoted individuallyPlan and tracking first, budget second. You know what works before you spend more.
01 Strategy and auditKnow where to spend the budget before you spend it$2,400 02 AnalyticsSee which ad brings in money$650 03 ConsultationsA call about your specific problem$70/h 04 Free auditA quick review and 3–5 priorities to start$0How your business looks and sounds before anyone calls you.
01 Social media managementProfiles that look like a real businesswith a partner 02 Creative and videoGraphics and videos that stop the thumbquoted individually 03 BrandingA logo and style that sets you apartwith a partner
Edmonton, Canada
200 keywords on page one of Google
Boreal Kitchens
Winnipeg, Canada
up to 5 enquiries/mo from Google without ads
Adela Realtor
Żywiec, Poland
from 3 to 9 locations in two years
Gładko Tnący Barber
Żywiec, Poland
PLN 15 000 +/mo in delivery orders
Da Diego
Ad creative made by the same person who runs your campaigns. I design the graphics, cut the videos and write the words, then watch what they do to cost per lead. The version that sells stays; the one that only looks nice goes.
Free: a 30-minute call, an action plan and a price range in writing.

Most weak ads are not ugly. They are unclear, generic or tired.
A beautiful image with a slogan, and the viewer still doesn't know what you sell, for how much, or why now.
A square post squeezed into Stories, a banner cropped into a Reel. Each placement shows a broken ad.
People stop noticing, the platform charges more for less, and results slide quietly.
The designer sends files, the ad manager uploads them, nobody learns which idea actually worked.
I make ads for campaigns I run, so every design decision is checked against results.
in marketing
or so businesses I have run ads for
ad accounts I manage right now, about
a month in client budgets under management, about
Order a single piece, or a set for a whole campaign.
Graphics, video editing and copy are my own work. No hand-offs to a studio you never meet.
What you sell, to whom, and the two or three reasons they buy. Without this, design is decoration.
Several versions per angle: different headlines, images, hooks and calls to action.
Each version adapted to feed, Stories, Reels, search, display and YouTube placements where needed.
Versions run side by side; I compare cost per result after enough data comes in.
Winners get new variations, losers are retired, and the cycle repeats before fatigue sets in.

Website with online ordering, CRM and ads. Over PLN 15,000 a month (about C$5,500) in delivery orders through the site.
See the case study →
Ads, bots, CRM and website, bringing in mostly office cleaning contracts.
See the case study →Website, course platform, ads, bots and CRM. Courses sold for over PLN 100,000 (about C$37,000).
See the case study →Prices in Canadian dollars. Creative is quoted individually, because one set of graphics and a month of video are different jobs.
Thirty minutes: your current ads on screen and what I would change.
Book a call→Graphics, video or copy for a campaign, priced after a short call.
Both platforms run together, setup $1,200. Creative refreshes are planned with the campaigns.
See ad pricing→Targeting options on Meta and Google have become more automated every year. The platforms now decide much of who sees an ad, using their own signals. What you still control fully is the ad itself: the image, the first seconds of a video, the headline, the offer. That is why ad creative has become the biggest lever most small advertisers have, and why I treat it as part of running campaigns rather than a separate design job.
Good ad creative does three things quickly. It stops the right person, it makes clear what you offer, and it gives a reason to act now. Beauty helps, but clarity sells.
In many businesses, creative is ordered from a designer once, handed to whoever runs the ads, and then left to run until it dies. Nobody connects the result back to the idea. When I make the creative for campaigns I manage, the loop is short: I see that the version with the price in the headline gets cheaper leads, so the next round tests price placement further. That loop is where most of the improvement comes from.
If you already have someone running your ads, I can still make the creative. Ask them to share results by version, and the next set will be better for it.
| Placement | Typical format | What matters most |
|---|---|---|
| Facebook and Instagram feed | Square or 4:5 image, short video | Clear offer in the image, first line of text |
| Stories and Reels | Vertical 9:16 video | Hook in the first two seconds, captions |
| Google search | Text headlines and descriptions | Keyword match, price, location |
| Google display and Demand Gen | Several image sizes, logo | Simple message readable at small size |
| YouTube | Horizontal or vertical video | Brand and offer before the skip |
Each service below goes deeper: ad graphics, video ads, Reels and Shorts, product photography, copywriting and company presentations.
I do not ask you to pick a favourite. I prepare versions that differ in one important way, such as the angle, the hook or the image, and let the ads show which one people respond to. After enough spend for the numbers to mean something, the winner gets new variations and the loser is replaced. Over a few months, this builds a clear picture of what your customers care about, which is useful well beyond ads: on your website, in your sales calls, on your packaging.
In Quebec, commercial advertising generally has to be in French, with French at least as prominent as any other language. My creative work is in English, so French versions for Quebec come from your own team or translator. Advertising for health, finance, alcohol, cannabis and some other categories has extra rules, both in Canadian law and in platform policies, and some claims are simply not allowed. Prices shown in ads must be the real price you charge, since the Competition Act targets drip pricing. I check these points before anything goes live.
Creative is one piece. It works best with sensible targeting, a landing page that continues the ad's promise, and tracking that shows which version brought customers. I run Meta ads and Google Ads myself, so creative can be planned together with the campaigns. For a deeper read, see ad creative that stops the scroll.
Each of these is cheap to fix and usually shows up in the numbers within a few weeks.
Access to your current ads and results, a short brief on your offer and customers, and photos or clips from your business if you have them. Then one person to approve drafts. Three rounds of revisions are included, and the final files and sources are yours.
Yes. Ad graphics, video editing, Reels, copy and presentations are my own work. For larger shoots or creator videos I may involve a photographer or UGC creators, but the concept, editing and testing stay with me.
No. You can order creative for campaigns you or someone else runs. It works best, though, when I can see the results, because the second round of creative is always better than the first when it is based on real numbers.
For most small campaigns, two or three angles with a few variations each is enough to learn something. One single ad tells you nothing: if it fails, you do not know whether the idea, the image or the headline was the problem.
It depends on budget and audience size. Small local audiences see the same ad more often and tire of it faster, so new variations every few weeks are common there. Larger audiences can run a good ad longer. I watch frequency and cost per result to decide.
No, my creative work is in English. For Quebec, French versions are required in most commercial advertising, so they should come from your own team or a French-language specialist. I do create ads in Polish, Russian and Ukrainian for businesses serving those communities in Canada.
You do. Final files and editable sources are delivered to you and stored in your accounts. If we stop working together, nothing needs to be negotiated.
Send a link to your website and a screenshot or two of your ads. I'll reply within one business day with first thoughts.
What do you need most?